Wed 2.4.2025 // 17.00
Photo: Kilian Jörg
Wed 2.4.2025 // 17.00
Open Lab/Walk // Meeting point: 17.00 at Im_flieger (Bräuhausgasse 40, 1050 Vienna) OR 18.00 U2 station Hausfeldstraße // free participation // Please register: imflieger@gmail.com – but don’t hesitate to join spontaneously // Warm clothes & solid shoes needed
With: Claudia Heu (AT), Lisa Hinterreithner (AT), Michael Hirsch (DE), Kilian Jörg (AT) and Anita Kaya (AT)
Realized by Im_flieger as part of Stoffwechsel – Ecologies of Collaboration. www.stffwchsl.net
In recent years, Stoffwechsel – Ecologies of Collaboration has investigated autonomous zones and spaces of resistance where different concepts of the future collide. Where old, modernist futurisms and new, ecological forms of life clash as resistant practices, wounds often appear that last much longer than the struggles over them. The Stoffwechsel collective has set itself the task of staying with these wounds and caring for them in a kind of witnessing: to be there for the feelings that arise in such places of devastation and upheaval of the landscape; to linger where no one wants to stay – close to and in the pure transit zones of urban planning.
In this spirit, we are making a pilgrimage for the second time to Hausfeldstraße, where another urban motorway is currently being built with a considerable structural intervention in the former village structure of Hirschstetten and where the occupations against the construction of the Lobau motorway tunnel took place in 2021.
We invite you to walk together, observe and perceive the still open wounds of an expanding city driven by automobilism and try to sense life and survival in these sacrificed zones.
Anita Kaya (AT) born 1961, is a freelance choreographer, performer and curator living in Vienna. Under the label OYA-Produktion (1988-2005) she created dance productions, site-specific performances, performative installations and dance videos that were presented internationally. In 2000, she initiated the artists for artists initiative Im_flieger – research laboratory for dance, performance and transmedia art (Concept funding from the City of Vienna 2022-25). In artistic direction and in collaboration with numerous artists and theoreticians, she develops new concepts and structures of artistic cooperation and mentoring programmes: e. g. the European residency programme for young choreographers TERRAINS FERTILES 05 (Innovation Prize 2005 of IG-Kultur Vienna). She is engaged with the body as a reservoir of individual and collective memory, and its potential for communication with the environment, the human and more than human: e. g. Translocations / One-to-One Performance located at the intersection of history/trauma, archiving, installation and performance. 2023 she cooperates with Theatercombinat/ Claudia Bosse as performer/ choreographer in the production Bones & Stones. In 2019/20 she completed the university course “Curating in the Scenic Arts” at the University of Salzburg and Munich. She is co-editor and author of the publication VISCERAL FICTION – Im_flieger schreibt Geschichte/s – 20 Jahre Künstler:innen für Künstler:innen. 2021, monocrom. www.imflieger.net, www.stffwchsl.net
Anton Vandevoorde (BE) is a PhD student at the Department of Conflict and Development at Ghent University. He conducts ethnographic and participatory research at environmental and Indigenous protest camps in Europe and so-called “Canada,” studying the creation and revival of alternative ontologies for a more sustainable world. In these autonomous zones, he explores how knowledge is produced and what happens when different worldviews and understandings of nature intersect or come into conflict.
Claudia Heu (AT) is an artist, performer and lecturer living in Vienna. She works in Europe, Mongolia and the USA. Her work includes site-specific performances, installations and interventions. Her collaboration with filmmakers, activists, hairdressers, actors, bus drivers, visual artists, night watchmen, etc. changes depending on the project and location. Since 2013, she has been working with Mongolian and Austrian artists and scientists on the research project Alga Bolokh – On Disappearance in Ulan Bator, the Gobi Desert and Berlin. Alga Bolokh deals with threatened places and spaces, with the untold and the invisible. www.claudiaheu.com
Kilian Jörg (AT) works both artistically and philosophically on the topic of ecological catastrophe and how its transformative forces can best be imagined and deployed. Previous publications have been on club culture, the political backlash from an ecological perspective, cultivating distance in catastrophic times and a speculative religion of waste. His current research topics are the car as a metaphor for our toxic entanglements with modern lifestyles (released in book form as “Das Auto und die ökologische Katastrophe” in September 2024), the socio-psychological effects of living with ecocide and radical activist strategies of reclaiming land like the ZAD in France. He is working with the Futurama.Lab at the Academy of Fine Arts Vienna and is affiliated to the SFB Affective Societies at the FU Berlin. www.kilianj.org & www.kilianjoerg.blogspot.com
Lisa Hinterreithner (AT) Die Künstlerin und Performerin Lisa Hinterreithner verschränkt in ihren Arbeiten Körper und Materialien. Dabei sucht sie nach experimentellen Performance Formaten, die Fragen zu Repräsentation und Teilhabe thematisieren. So entstehen gemeinsame Prozesse und Räume, in denen sich Publikum, Performer*innen und Dinge verbinden. Sie hat u.a. mit Julius Deutschbauer, Jack Hauser, Rotraud Kern, Elise Mory, Laura Navndrup Black, Lilo Nein, Martina Ruhsam, Linda Samaraweerová gearbeitet. www.lisahinterreithner.at
Michael Hirsch (DE) is a philosopher, political scientist and art theorist. He teaches political theory and the history of ideas at the University of Siegen and lives as a freelance author in Munich. He is a regular participant in the workshops and research labs of “Stoffwechsel. Ecologies of Cooperation” as part of Im_flieger. Recent publications: Richtig falsch. Es gibt kein richtiges Leben im falschen (2019); Die Überwindung der Arbeitsgesellschaft. Eine politische Philosophie der Arbeit (2016); Logik der Unterscheidung. 10 Thesen zu Kunst und Politik (2015). www.michael-hirsch-archiv.de